“No Doors, No Windows” is intense, chilling, and at times hallucinogenic; a story of madness carried down through the generations. In many ways, it tells the classic Gothic tale of a house stained by a decades old evil, warped by the lingering spirits of the dead. Debuting alongside Schreiber's “Star Wars: Death Troopers”, “No Doors” adds to an impressive resume, making him a name to watch in horror.
After his father's funeral, Scott Mast can't run away fast enough. Being back in New Hampshire brings up painful memories, and it's hard being around his failed brother Owen and his only son Henry. What Scott wants most is a return to his ordered life writing Hallmark greeting cards in Seattle; to leave the wreckage of his family behind.
When he discovers his father's partially finished manuscript, however, Scott refuses to leave without digging for answers to questions he hadn't even known existed. His father, the stoic Frank Mast – a writer? Not only that, the story appears to be horror, about an old house back in the woods, a place called Round House because of its strangely shaped interior.
When Scott learns the house actually exists, he becomes obsessed with uncovering his father's secrets. In his search, Scott discovers dark things hidden in his family line. An obsession with creation is a Mast curse, as they are doomed to re-tell a recurring dark tale that has no end...and no mercy. In a moment of foolhardy inspiration, Scott resolves to finish his father's story, but as he moves into Round House, so do the ghosts haunting his family.
In many ways, “No Doors” is the archetypal haunted house story: a place tainted by evil and family secrets, dangerous snows that lay siege to those haunted, and a failed writer who not only becomes obsessed with finishing a dangerous story, but also goes off his medication to do so. However, Schreiber tells the story well, and he layers his twists and reveals his secrets with the controlled pacing of a seasoned writer, making this an excellent take on a traditional tale.