Empyres: Bloodblind (Northampton House), by John Koloski

Bloodblind is the first in a trilogy that pulls the reader in with a unique, evocative and powerful voice. The suspense is reminiscent of a classic Hitchcock film. And the journey the reader takes—an existential transcendence that continuously evolves—would make Carlos Castaneda proud.

Koloski’s expansive imagination evolves the concept of empathic vampires which gives the reader believable and, at times, horrific territory. Another pleasant surprise that plucks at our emotions and gives life to the characters.



We find Adam as a struggling artist at an event showcasing his latest work. After a friend asks him to accompany her for a ride in her corvette through the rain, Adam’s life is changed forever. He awakes from the accident alive, but blinded. Koloski places the reader in that headspace with effortless grace and ease. He’s being hunted, and he doesn’t even know it…yet. Despite his challenges, Adam is getting along fine: he’s a Dee jay at a local radio station, and has a loving brother who looks after him.

While at work, Adam receives a very odd song request which turns into an even stranger proposition: a possible cure for blindness. But no one in the studio could hear the woman’s voice but Adam. He accepts the invitation to meet her, and is told there is a cure…if he agrees to take an experimental drug. Adam can’t seem to put the doctor’s braille business card down, nor the urge to call her and accept.

What ensues is a fast-paced journey that ensnares the reader as the plot delves so far that it challenges the very fabric of reality. Adam is introduced to new, exciting worlds with almost limitless possibilities. However, what unintended consequences await every decision he makes to heal himself and protect those he loves? And more importantly, who is on the hunt for him and willing to burn everything that stands in their way? Other realities and dimensions await Adam, and everyone he loves, as he falls further down the rabbit hole.

Bloodblind is a breath of fresh air amidst a sea of modernity and convention--an original work that refuses to let go. Prepare to have your imagination taken to places only the author can take you. Koloski boldly steps on the stage with this new and impressive offering.

Visit www.johnkoloski.com. Buy the ebook at either Amazon, Barnes & Noble, or  Kobo.

Reviewed by Ben Eads

Ben Eads is a dark fiction author of short stories and longer fiction. His work tends to represent modern horror coupled with what he likes to call: “Imagination-tickling elements”. Ben is also a huge fan of dark fiction and dark movies. At the age of ten he wrote his first story. Taking writing seriously in early 2008, Ben Eads has published numerous short dark fiction stories in various magazines, anthologies, and E-Zines.

You can find him here.  

Every House is Haunted (Chizine), by Ian Rogers

Every House is Haunted  by Ian Rogers is nothing less than a brilliant short story collection, exploring the area between the world we know and the supernatural—and how deceptively close the two are.  It’s been a long time since this reviewer has read anything remotely comparable; and that which was had sprung from the pens of Shirley Jackson, Ray Bradbury, and Richard Matheson--with a little Edgar Allan Poe and H.P. Lovecraft thrown in for good measure.

The book’s organization is interesting, too.  The reader is taken, via the stories, on a trip through a house.  One begins in the Vestibule (including creepy photographs by Samantha Beiko), then on to the Library, the Attic, the Den, and finally, the Cellar—the usual locations for odd happenings in a haunted house.

Every single story in this 300-page volume is a stand-out—so much so that it is impossible to choose a favorite.  Or even several favorites. They all strongly remain with the reader days after turning the final page.

Rogers writes with all his senses, and his characters are deftly developed with an economy of language that is rare these days.  One feels as if one knew every single one of them. This reader smelled, tasted, touched, saw and heard every nuance…every subtlety.  Amazing.

There are also no weaknesses apparent to point out in this work.  It’s the strongest collection of short stories this reviewer has ever read—and though usually not one given to hyperbole, an exception must be made in this case.

Here is a little taste of the literary banquet you will indulge in should you read this masterful work:

"THE NANNY":  A kindly woman who does so much more for the children than any nanny every thought of.

"ACES":  Death and misfortune seem to following the wake of Soelle—a girl with a penchant for tarot cards and puzzles.

"CABIN D":  A lonely self-sacrificing man deals with an unorthodox killer.

"WINTER HAMMOCK": A tale H.P. Lovecraft would have been proud to call his own.

"THE DARK AND THE YOUNG": When experimentation with an ancient book spirals out of control.

I am so brief with these descriptions because I don’t want to spoil this for anyone.
I urge you to buy Every House is Haunted.  Read this book.  Buy one for yourself and one to give as a Christmas gift to your favorite horror fan.
You’ll thank me.

Get it here.

reviewed by Carson Buckingham

Carson Buckingham is a writer living in the great American Southwest and she reviews horror/paranormal suspense novels. Stop by to view her scriblins.

Revenant (Rock Bottom), by Allan Leverone

An artifact, closely guarded by the Navajo mystics for ages is stolen by an unscrupulous psychopath, Max, who is prepared to use it to create a zombie, Earl Manning, to do his bidding, and as long as Max has the stone, and Earl’s heart right next to it, he will control the Earl.  But due to some messy unforeseen circumstances, the box with heart and stone winds up in Earl’s hands.  He is suddenly the master of his undead destiny, and havoc ensues.

This second book in his series of Paskagankee novels, Allan Leverone’s  Revenant, is a page turner, and could almost be considered an homage to Stephen King, so closely does Leverone’s writing style mimic the master’s.  The book even takes place in Maine—not Derry, though; but in a town called Paskagankee.

My favorite character was actually Earl Manning, the revenant.  I found it fascinating that he was pretty much a brain-dead zombie to begin with, what with an alcohol-pickled brain at the age of 29.  Becoming a zombie wasn’t much of a transition for him—this was probably why he handled it so well.  You’ll want to read this book just for this character alone—he was the best developed and the most interesting.  Instead of the zombies running wild and the focus narrowly placed on the humans who are either chasing them or running away from them; it evolves into the Earl’s, story.  A nice switch.

Leverone handles suspense well, and though initially I was disappointed about the overused cliché of yet another zombie novel, I was pleasantly surprised about the original and deft way the concept was handled.

Though I enjoyed the book from start to finish and was sorry when it ended, there were a few weaknesses that I must mention.  I felt that the protagonists, Chief Mike McMahon and Constable Sharon Dupont suffered from lack of character development, and consequently came off as a bit two-dimensional. I didn’t care as much about them as I should have, and this caused the ending to fall a tad flat for me.

I also could have done without the frequent callbacks to the first volume of this series, Paskagankee.  They were slightly jarring and completely unnecessary.  This book was more than able to stand alone and should have been allowed to.

That being said, you’ll want to buy this—it’s a fun ride.

buy it here.

 reviewed by Carson Buckingham

Carson Buckingham is a writer living in the great American Southwest and she reviews horror/paranormal suspense novels. Stop by to view her scriblins.

Bloodstar: Star Corpsman, book 1 (Harper Voyager), by Ian Douglas

Before we get this under way, it is definitely worth warning you that I am not in any way a fan of either Hard or Military Sci-Fi. As far as I am concerned, they both tend to be overloaded with information that gets in the way of the story, instead of aiding it. I know that there are people out there who are highly interested in the intricacies of propulsion units and methodology as well as tactical data, but I am not one of those. I want the story itself and any information pertinent to that story or an understanding of its characters and the world they live in but anything more bores me. Please keep that in mind as it is something that highly flavors this review.

Way off in the far-flung future, people have begun colonizing the stars. One of those colonies, Bloodworld, was founded by a group whose desire to suffer for the sins of humanity found an ideal home on its brutal terrain. They’ve lived there for decades, alone and isolated and content with both. However, a war-bound race of aliens, the Qesh, have found them. Not only is their own safety at stake, but the security of Earth and any other human colonies. Enter space marines and combat galore.

Let’s start off with the good things here: I very much enjoyed seeing war from the point of view of a Corpsman (the closest layman's term would be a field medic, but it would not be entirely accurate), someone whose primary concern is healing over harming. This alone tossed much of the over the top, “we kick ass” attitude out the window. And, Ian presents us with a much more likely view of humanity’s early forays into space: tentative and frightful. This is a future where humanity knows that they are outnumbered and outgunned by older, larger and more strategically powerful races in space and are doing everything they can to stay below the radar. The main character is well developed and there isn’t the usual good versus evil delineation so much as a concern for the people he is with.

All of these things are great. I loved the story itself. When I  got to read it.

Unfortunately, most of the time was spent buried under paragraphs and piles of text dedicated to the history of Corpsmen. The changes in medical engineering. Every detail of how each specific bit of nano-technology worked. The operating principles of the weapons systems. Military tactics out the wasoo. Over 150 pages had passed before Bloodworld was reached it still took a bit of discussion of nano-flage and nano-grown encampments before much else occurred.

I can’t stress enough how much I enjoyed the story at the heart of this novel, but I could not find it in myself to enjoy the novel as a whole.


Buy it here

Reviewed by Anton Cancre

Anton Cancre is one of those rotting, pus-filled thingies on the underside of humanity that your mother always warned you about. He has oozed symbolic word-farms onto the pages of Shroud, Sex and Murder and Necrotic Tissue magazines as well as THE GHOST IS THE MACHINE, a steampunk ghost anthology by Permuted Press, and continues to vomit his oh-so-astute literary opinions, random thoughts and nonsense at antoncancre.blogspot.com. No, he won't babysit your pet shoggoth this weekend. Stop asking.

Welcome To Moon Hill (Moon Hill) by Anthony J. Rapino

Welcome To Moon Hill is an intriguing collection of short fiction based in the mythic town of Moon Hill. The alluring stories that comprise the collection are unique as the town itself: dark, suspenseful, and most of all, enticing. The author gives us well-written, tightly-woven stories that touch upon myriads of emotions. Stand outs are:

“From Your Body They Rise”, is a surreal and haunting tale of curiosity and the wonderment of discovery. Alan discovers a peculiar “plant” that would make him a legend in science, and re-define physics. As the journey grows, so do the stakes. With a suspense that is palpable, the author weaves the reader into the tale white-knuckled, with effortless grace and ease. 

 

“Hair of The Dog”, Poor, John. Some guys just can’t get a break. He gets the courage up to ask the girl at the local coffee shop out, and she rejects him. A bit worse, actually. She simply states that he is “dark and depressing.” He walks out and goes in search of another java-joint. However, his options may be limited. This one is short, sweet and best of all, hilarious. 

 

“And The Drums Went Thump Thump Thump”, is a somber, heart-felt tale of the struggles single parents face. John is trying his best with his teenage, death-metal loving daughter, Ashley. John decides to open a door into her world, her life. Perhaps with some renewed insight, he can understand her gruff exterior. A pair of street thugs would like to do the same as well. Can John put the bottle down and finally stand up?

“Struck By Golden Lightning”, Ewan has the mind of a child. Despite some of his neighbors understanding this, others are more reluctant to have their children play with him. This touching, fantastical tale explores family, friends—tolerance vs. intolerance—and the belief that anything is possible. Soon, perhaps, everyone will see just how special Ewan actually is. 

 

There are a lot of books and collections that have a foreboding town, or dwelling where bad things happen. It is a tradition and staple in horror that we all love. However, Welcome to Moon Hill shines with tales that horrify, yet hook our imaginations in a unique way as well. We find ourselves standing in synch with these characters that are on the brink of new worlds and answers, or oblivion and its sweet embrace. But for the life of us, our curiosity always gets the best of us…no matter the outcome. 

buy it here.

 

To learn more about the author, please visit his website.

Reviewed by Ben Eads

 

Ben Eads is a dark fiction author of short stories and longer fiction. His work tends to represent modern horror coupled with what he likes to call: “Imagination-tickling elements”. Ben is also a huge fan of dark fiction and dark movies. At the age of ten he wrote his first story. Taking writing seriously in early 2008, Ben Eads has published numerous short dark fiction stories in various magazines, anthologies, and E-Zines.

You can find him here.

Rasputin's Bastards (Chizine), by David Nickle

Rasputin's Bastards by David Nickle is first and foremost a spy novel; and reader take note, this is a book that expects its reader to be a clever as the spies whom the story revolves around.

David Nickle describes an intricate plot with a baker's dozen of multifaceted characters, and it's a challenge to keep up with each individual and their separate motivations – in some cases, the characters themselves are not self-aware enough to understand their circumstances, and circumstances are subject to change. The reader must contend with the real world and juggle complicated metaphysical ideas involved behind the “sleeper” agents who, to reduce the idea to its basic concept, are “possessing” the bodies of other characters to carry out their goals. Add to the mix a gathering of psychic children and a telepathic infant and the complexity of Rasputin's Bastards multiplies.

The writing is good but this isn't a place for the beach-read pulp fiction crowd, and having an understanding of past spy novels (The Marathon Man by William Goldman comes to mind) is essential to appreciate what David Nickle is building, and the style he chooses to do it in.

A reader will either love it or hate it; one must keep note of the characters and their subplots while tracking the greater plot unfolding and it's not an easy job to jack-hop from one character's psychological state to another. Nickle gives nothing away to the reader for free, which lends the benefit of surprise when characters end up in unexpected places and are revealed to be different people than they started out as.

All in all, this is a read more suited to specific audience who has an interest in the genre of spy thrillers, with a dash of the supernatural.

buy it directly from Chizine.

Reviewed by Martin Rose.

Look for Martin Rose's work in the anthologies Fear of the Dark from Horror Bound publications and Art From Art from Modernist Press. More details are available here.

Zippered Flesh (Smart Rhino), edited by Weldon Burge

Zippered Flesh is an anthology of twenty tales of body enhancements gone wrong—and not “gone wrong” like Joan Rivers or Sly Stallone—we’re talking a birthday party in the cemetery degree of “gone wrong.”

The real standouts of the collection were the following:

"Comfort" by Charles Colyott – We are endlessly both fascinated and repulsed by morbid obesity, and this story is one of the best in the book. Deftly written, we find a son trying to care for his huge mother on his own and will not hear of putting her into a home—shades of Gilbert Grape. This jeopardizes both his marriage and his job, but a mama’s boy is a mama’s boy. The ending packs a punch that you’ll be thinking about hours later.

"The Shaping" by Scott Nicholson – My favorite of the entire collection, this story gives teeth to the idea that great artists and writers pour their blood, sweat and tears into their work in order to be creatively effective. This story is a little bit Logan’s Run,” a little bit “X-Factor” and a whole lot of shock at the way competition within the arts is addressed. If you’re a creative individual, you’ll understand; but even if you’re not, you’ll enjoy the insight.

"Something Borrowed" by J. Gregory Smith – A story of abduction, surgery and a conscience grown just a little too late.

"Sex Object" by Graham Masterton – This would have been a better story to open the anthology with, as horrifying as it is. It’s about a trophy wife taking steps to ensure that her easily bored husband will not throw her over for a newer model. You’ll have nightmares about this one, but little sympathy for any of the characters.

"Locks of Loathe" by Jezzy Wolfe – In opting for an illegal correction of lifelong alopecia, a woman learns that there are some scary consequences to taking things that do not belong to you. Wonderful story.

"Hearing Mildred" by Weldon Burge – I enjoyed this story because it’s the only one in the anthology with a dark sense of humor. An aging gentleman has recently lost his wife. He has small desires as to how to spend the balance of it—all he wants to do is watch television, and now he can do it without having to deal with an endless “Honey Do” list. But when his hearing aids start acting up, he discovers that silence really is golden and hearing is not all it’s cracked up to be.

That’s it. Only six standouts—in an anthology of twenty. There were other tales that were enjoyable to read but didn’t stay with me after I’d read them, and a few that the anthology could have done without entirely.

That being said, this is a first book release from this new press, Smart Rhino and there will inevitably be growing pains, which will include missed typos, commas, and that sort of thing. This is forgivable as long as it is not rampant—and it’s not.

What I have a harder time with is writers who are lazy about fact checking. One notable example in one of the stories is a pirate, at sea, referring to lines as “ropes.” “Rope” is a landlubber term. This may seem like a small thing, but to the many readers who have spent time on the ocean, it is a glaring error. 

buy it here.

reviewed by Carson Buckingham

Carson Buckingham is a writer living in the great American Southwest and she reviews horror/paranormal suspense novels. Stop by to view her scriblins.